I was told that, except for tuning, the pianos had not been prepped prior to my arrival my remarks here are based on their condition directly from the factory. The Breeze and Storm that I played featured the Petrof Original Action, the Bora a Renner action. Petrof’s grand pianos are available with either the Petrof Original Action or a Renner action. While on brighter pianos I often like to experiment with this pedal for different colors, here I found it unnecessary, much preferring the natural sound. The una corda pedals all had the similar effect of shortening the sustain and dulling the resonance, but without creating a muffled or muted sound. Because of this, pianists will likely find themselves using the pedal sparingly it also makes these pianos more suitable for rooms with dry acoustics. Using the damper pedal created tremendous resonance additionally, the sound did not project as much as with larger, concert, grands, but rather stayed closer to the piano. While this did not create any balance problems, pianists will need to use greater articulation to match the lower register with the others. Each piano had lively middle and upper registers, and a lower register that was less immediately present. They also possessed tremendous dynamic breadth for their size, easily generating the entire range between pianissimo and fortissimo. The round tone rang with a bell-like quality, rendering percussive sounds difficult to create. Generally, the instruments behaved similarly in almost every aspect, with the characteristics, as expected, becoming more pronounced and enhanced with each increase in size.Īll three instruments produced a distinct, remarkably warm, rich sound, with considerable sustain in every register. Certain capabilities, such as repeated notes, were tested separately from pieces.
3, and various preludes and fugues by J.S. To test how the pianos reacted to specific situations and textures, I also played excerpts from Debussy’s Clair de Lune, Liszt’s Sonata in B-Minor, Prokofiev’s Piano Concerto No. To test the pianos, I played repertoire from a recent recital: Mozart’s Adagio in B Minor Beethoven’s Variations in C-Minor, WoO 80 the complete Chopin PrÉludes and Carl Vine’s Sonata No. Age of Your Piano by Serial Number - Ages of All Makes and Model of Pianos.
#Where to find a serial number on a weinbach piano serial numbers
Weinbach piano serial numbers Recent updates include improved 32-bit performance in Windows 7 and compatibility with Windows 8. Larry Fine says in his original Piano book 'Weinbach - see Petrof'. Weinbach is made by Petrof and is cheaper. In the form below, select your brand and enter your serial number. These pianos also display, on the right keyblock, the European Excellence crest, an attractive feature that declares the instruments’ solely European construction and use of at least 61% European-made parts and materials.įind out the year of production for your piano with the help of the serial number. This particular Breeze had the “Klasik” (Classic) upgrade, which includes a filigree music desk and tapered, “ice-cream cone” legs, both tastefully elegant without being too ornate. With the help of Joe Brattesani of World Class Pianos, in the San Francisco peninsula city of Burlingame, California, I was able, for this review, to sample three recently upgraded models: the Bora (5′ 2″), the Breeze (5′ 6″), and the Storm (6′ 2″).Įven before playing, I noticed the pianos’ aesthetic appeal they are beautifully constructed, and feature eye-catching wood veneer around the inner rim. I had heard of the Petrof brand, but had neither seen nor played one before. EditorĪs a pianist who has played mostly pianos owned by the universities I’ve attended and at which I’ve taught and performed, I’ve rarely had the opportunity to try out instruments by makers other than Baldwin, Bösendorfer, Mason & Hamlin, Steinway, and Yamaha. Benjamin Boren to take a look at the three smaller Petrof models: Bora, Breeze, and Storm. Features include custom-tapered soundboards, genuine ebony bridge caps in the high treble, laser-placed front and rear duplexes, single stringing (as in some of the most expensive European pianos), and a choice of two action suppliers. The new models - from smallest to largest: Bora, Breeze, Storm, Pasat, Monsoon, and Mistral - were designed to compete with the great pianos of Europe and America. In 2009, Petrof’s grand-piano lineup was revised, with new designs, materials, and a higher level of build quality. Their grand-piano models, reviewed in the Spring 2010 issue of Piano Buyer, were named, from smallest to largest, with Roman numerals: V, IV, III, II, I. Through the late 1990s and early 2000s, Petrof pianos were positioned in the North American marketplace as a low-cost European alternative to other well-known, established brands.
BASED IN THE CZECH REPUBLIC, piano builder Petrof celebrated its 150th anniversary in 2014.
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