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Resistance album muse
Resistance album muse







resistance album muse

To listen to a remixed version of "What You've Become" courtesy of ex-Ice Nine Kills musician Justin deBlieck, head here. But the same stubborn spark of unreason which insists on the right of a major label album release to retain such a deluded view of its own revolutionary potential has been the agent of many a historic conflagration.Both "All I Really Know" and "What You Are" have a foreboding mood and discordant bridge sections, but Lajon Witherspoon's buttery voice is the light that prevails amid the darkness. But does this incipiently authoritarian source material necessarily invalidate Matt Bellamy's claim to be making a bold stand against "the corporate-ocracy"? The foundation stones of Muse's musical edifice are the monolithic oeuvres of Abba, Queen and Rush while a quest for the band's real philosophical or architectural touchstones would probably lead you towards Ayn Rand and Albert Speer. And after Muse flew so close to the sun last time, it sounded disastrous that the album housing ‘Survival’ was to be based around the second law of thermodynamics (in brief: a way of. They have been friends since their formation in early 1994 and changed band names a number of times (such as Gothic Plague, Fixed Penalty, and. The band consists of Matthew Bellamy on lead vocals, piano, keyboard and guitar, Chris Wolstenholme on backing vocals and bass guitar, and Dominic Howard on drums and percussion. And while the "political" dimension to Matt Bellamy's lyrics owes more to David Icke than it does to Noam Chomsky, the transcendent absurdity of Muse's music is actually the perfect complement to the half-arsed internet conspiracy theories that seem to be his intellectual staple diet.Īs the second half of The Resistance proceeds - through a lizard-worshipping thrash metal re-write of Lay All Your Love on Me (Unnatural Selection), to the closing Exogenesis, a three-part, 13-minute "symphony", which triumphantly realises a vision of classical music first outlined by Bruno from Fame - the essentially contradictory nature of its grandiose vision becomes ever more apparent. Anyway, heres Muse or, more specifically, Bellamy getting in-depth about two of the most important tracks on their highly conceptual (and conceptually high) new album, The Resistance. Muse is an alternative rock band from Teignmouth, England, United Kingdom. But it's only after Undisclosed Desires has offered Depeche Mode the chance to beef up New Life with an extra disco twist that hyper-space really beckons.įorsaking the subtle understatement of Knights of Cydonia for something a little more, well, out there, United States of Eurasia blasts schoolroom memories of George Orwell's Nineteen Eighty-Four through the filter of Bohemian Rhapsody with a brazenness that would make Mika blush. Next up, the title track posits a theoretically grisly but in practice quite palatable hybrid of U2 and David Guetta. Uprising - the album's first single - is a deceptively conventional glitter-stomp melange of the Dr Who theme and Blondie's Call Me. The Resistance's bold flight from the constraints of human reason takes a little while to get up to warp speed. While it's no surprise that Muse have chosen the latter course, the wholeheartedness with which this album hurls itself into the abyss of cod-symphonic astral pretension is to be commended. Please note that our catalog only lists songs that weve set up within our. Either retreat into their shell and record that acoustic set of 19th-century West Country folk songs, or continue along the trajectory laid out for them by the wilfully apocalyptic Black Holes & Revelations - ie to infinity and beyond. A fter the bombastic apotheosis of 2007's two-night stand at the new Wembley Stadium, Muse had two options.









Resistance album muse